HERCULES & XENA:
WHAT THE HELL?!

 

 

EDITOR'S NOTES

When this site debuted back in 1996, I wrote a glowing review of Hercules: The Legendary Journeys and its sister series Xena: Warrior Princess.  Watching these two shows was like a time warp to the early 1980's, when He-Man was king and She-Ra was his queen.  And the best part?  No Orko!

I guess what I'm trying to say is that the two shows were awesome, in that guilty pleasure kind of way.  That didn't last long, however.  I guess the first sign of danger was when Hercules stopped slaying monsters and started babysitting them.  That could have been forgiven, but when Iolaus started wearing a dress and the cast broke out in song at every given opportunity... well, that's when the Greek empire fell.

The show went from annoying to unwatchable when Xena started jumping around different time periods like a more muscular, less feminine Scott Bakula.  After the third episode of that nonsense, I passed out from an aneurysm and woke up two years later, wondering why Autolycus became the lead character and why everyone in the show was fighting the British.

Seriously, though, a friend of mine told me that Xena was killed for the seventh time in the last episode and that her ghost was left to haunt a rickety old Japanese war ship.  Hmm... I'm gonna go ahead and pretend that Jack of all Trades was a continuation of the Xena series.  That makes a lot more sense.

TOO LITTLE, WAY TOO LATE

Did I miss something here?  Aren't these shows supposed to take place in ancient Greece?  I can forgive introducing Julius Ceaser as Xena's ex-lover, or Hercules coming face to face with the virgin Mary, but setting episodes in the 1990's is just one anachronism too many for me. Recasting the stars of Hercules as Renaissance Studio's writers and producers was bad enough, but putting Lucy Lawless's character in Ted Raimi's body has probably ruined more sexual fantasies than Marilyn Monroe's death and Anna Nicole Smith's appearance in Naked Gun 33 1/3 combined.  Some advice to the warrior prince and princess:  know your place.  It ain't the 20th century.

TWIN CENTRAL STATION

Every campy action series has to try at least one evil twin plot, but Renaissance's writers have not only taken the concept and run with it, they've run it into the ground. How many characters has Lucy Lawless played in both Hercules and Xena, anyway? The number's gotta be closing in on a dozen already, counting her pre-Xena bit parts on The Legendary Journeys.  Then there's the "new" Iolaus Hercules rescued from an alternate dimension.  I thought it was a pretty gutsy move to kill off Herc's best friend and saddle him with a cowardly double, but it only took a handful of episodes before Iolaus #2 became just like his deceased twin.

THE ENIMATED MOVIE

There aren't enough words for "crap" in the English language to describe The Battle For Mount Olympus, a miserable animated film that proves more than anything else that Universal Studios has no business making cartoons.  It's obvious that the producers were trying to give this movie the same dramatic, action-packed feel of a good Hercules or Xena episode, but thanks to the cheap, inconsistent, and just plain BAD artwork, scenes which are supposed to be wraught with emotion just leave the viewer rolling on the floor laughing.  Whenever Zeus throws out his hand to smite someone, it looks as though it's been crushed in an industrial press, and every scene change brings with it a new, even less experienced animator.  By the end of this travesty, you'll swear that the guy who created Ren & Stimpy got drunk and tried his hand at a few frames.

HERCULES, JR.

I'll admit that Young Hercules didn't last very long, but this toned-down series for preteens shouldn't have been made at all.  Frankly, I could care less what Herc and his friends were doing before they grew up, and if I did, I'd watch the Disney cartoon long before I'd even consider tuning into this blatent attempt to skim the cream off Saban's Mighty Morphin' Power Rangers cash cow.  At least the animated series is funny from time to time, and has a few of the stars from the original feature film (Tate Donovan, James Woods) along with several other celebrity voice talents for good measure.

ESTUPIDO USA

Am I nitpicking for complaining about the new Studio USA logo at the end of each Hercules and Xena episode?  Perhaps, but I've always had a sensitivity toward corporate logos, ever since being traumatized by that wretched Paramount theme music as a small child.  To this day, I want to see the company and anything even remotely related to it burn to the ground, and the fact that Hercules is now subsidized in part by these bastards (who own half of the USA Network) makes me very, very upset.  And that's not even the worst part... the new logo itself is terrible! When I'm done watching an epic like Hercules, I want to see a symbol that makes me feel like I'm in the front row of a movie theatre.  The Universal Studios planet did just that, but the new blandola USA Network flag (pasted against an oh-so-exciting white background) looks more like it belongs on the bottom of a box of nails.